#6. "Wrapped Around Your Finger" - The Police (1983)

As a young teen I'd always been mesmerized by "Wrapped Around Your Finger" by The Police. I still am, 36 years later on headphones. So mellow, yet so hypnotic.

The magic of Sting's melodic and lyrical prowess, Andy Summer's sparse effective guitar and Steward Coupland's intricate drum work all reach new heights on this textured tune.

From the lighting of the first candle, the video had always entranced me. 

The obscure literary references in the verses made me flip through the encyclopedias as Sting found a creative way to weave in such words as apprentice, Charibdes, Mephistopholes, tuition, fruition, and from the iconic bridge, alabaster.

And what a bridge! It never fails to give goosebumps. Both lyrically and musically, the tune picks up the tempo when the tables are turned on the master and servant relationship dynamics in question as "You'll be wrapped around my finger". Captivating stuff.  

The simple "I'll be wrapped around your finger" chorus shimmered. The synths are hauntingly beautiful.

Decades later, I still dream of knocking all those candles down at the end of the video like Sting did when he channeled the 'boy inside the man'. 

Fave lyric: "Devil and the deep blue sea behind me".

#7. "Strangelove" - Depeche Mode (1986)

"Strangelove" wasn't the first song I liked from Depeche Mode; but it was the one that sold me.

There is so much to appreciate here: the punchy synth, the deep bass, the entire production is irresistible. And it's moody as hell.

The original single release was deemed by the band to be too poppy and not dark enough for the Music for the Masses album, so they produced a darker mix known as "Strangelove '88" that became the group's first #1 dance hit in the US.

The dark lyrics navigate the territory between pleasure and pain; and appear to be about going off the grid, of being emotional unavailability of sorts. A perfect teen anthem.

Fave lyrics: "I'm always willing to learn, When you've got something to teach"

#8. "West End Girls" - Pet Shop Boys (1986)

Recorded in one take, "West End Girls" by the Pet Shop Boys originally missed the UK Top 40 in 1984 until re-recorded with producer Stephen Hague. Once slowed down and the story told a little clearer, the single vaulted to #1.

"West End Girls" isn't just another synth-pop song: it's intellectual pop. The song creates a cityscape in your head. 

The music was inspired by hip-hop artist Grandmaster Flash's "The Message" while the lyrics inspired by TS Eliot's poem 'The Waste Land'. The lyrics recount the class tensions and inner-city pressure in London, specifically how the boys from the East End of London pine for rich girls from the West End.

The street chatter and car horns intro followed by hypnotic synths before Neil Tennant's dead-pan vocals immediately grab our attention. But it's that unforgettable bass-synth hook and cryptic lyrics that keeps bringing me back to live vicariously in the "dead-end world". 

Watching the video as a 17-year-old verified that a much bigger world laid out there waiting to be explored.

When Joelle and I visited London in 2012, I couldn't help but point out the many famous London landmarks shown in the iconic video:

- Waterloo Station

- a No 42 red double-decker bus to Aldgate

- Tower Bridge

- Westminster Palace Clock Tower

- the South Bank

- Leicester Square

Fave lyrics: "Which do you choose. A hard or soft option"

In 1993, New Zealand-based artist Flight of the Conchords paraodied "West End Girls":

#9. "Eyes Without A Face" - Billy Idol (1984)

"Eyes Without A Face" is two tremendous songs for the price of one. 

The first half sees a chill Billy Idol crooning a ballad, with no screaming nor squealing guitars in sight. The synths are dreamy and laid-back.

One of the best hooks of the decades, I've always loved the female vocals leading into the chorus. The angelic "les yeux sans visage" harmony literally translates the track’s name, and encouraged me to translate other pop singles of the day into French. 

The second half is a complete 180 turn. 

Kicking in around 2:25, the minute-plus bridge features a Steve Stevens' guitar riff slashing through while Billy goes on a road trip bender whilst "trying to stay hip".

Billy returns to do his best Sinatra impression to wind up the power ballad.

#10. "Major Tom" - Peter Schilling (1983)

"Major Tom (Coming Home)" by Peter Schilling will always remind me of the space shuttle missions in the 80s.

The song is a sort of a sequel, an homage to David Bowie's astronaut character ("Space Oddity" and "Ashes to Ashes") who cuts off communication with Earth and floats into space.

The melody is so addictive, and the glorious exploding chorus with the 4-3-2-1 countdown is a natural singalong. I can't help but feel a little sappy while watching the video and imagining Major Tom looking down on Earth. 

So what happened to our hero? The sweeping melodramatic finale sounds like he made it home. 

In space.

On one hand, Major Tom may be left drifting out in space, unable to return to Earth. But perhaps that was his intent all along: could it be he just wanted to go away to some place, a new home, and not have to answer or reply to anyone?

Since the song was originally written in German perhaps something is getting lost in translation or interpretation. I'd be interested in a German's take on all this.  

Fave lyric: "This is my home. I'm coming home."

Here's the original German version: