Thursday, January 21, 2021

76/100 Video - "Living on Video" - Trans-X (1983)


In the early 80s, "Living on Video" by Montreal's Trans-X had all the fixings for a teenage boy.

Video games. Check.
Synth laser beams. Check.
Robots. Check.
Thrashing Keytar. Check.
Cute girl dancing. Check.
A French girl. Bonus Check.


"Living on Video" not only sounded like the future; the lyrics about surveillance predicted the future. 

The clip sounds and looks like some sort of backstreet video game arcade. Bring your quarters.



Wednesday, January 20, 2021

77/100 Video - "L'Affaire Dumoutier (Say To Me)" – The Box (1985)

I've always enjoyed the mini-movie video of a criminal investigation and trial in rural Quebec accompanying the descriptive narration-style vocals for "L' Affaire Dumoutier (Say To Me)" by The Box.

The scene forever burned in my brain: the man walking down a country road while balancing on the white line in an apparent state of amnesia while the lyric "Walking, walking... on the tightrope of insanity walking, walking on the verge of loosing mind".

The video doubled as an after-school lesson in Québecois French with dialogue scattered throughout the clip. I even learned a few new phrases including non-culpable (not guilty).

Tuesday, January 19, 2021

78/100 Video - "Out of Touch" - Hall & Oates (1985)

 

There are times when all you need is a little comfort food to make you smile. 

Hall & Oates always delivered the goods, one of those quality artists that appealed to almost everyone at some point along the way. 

"Out of Touch" is irresistible with soulful verses, a spectacular chorus and a timeless melody.



The cheesy video showcases the big, bam, boom 80s production, as established artists during the mid-80s had enormous budgets for their videos.

The video was directed by Jeff Stein, who also did the surreal videos for Tom Petty and the Heartbreakers' "Don't Come Around Here No More" and The Cars' "You Might Think." 

The imagery fit well with the song's meaning, best illustrated when we see the giant drum roll over Hall and Oates, then later on when we see them trapped inside it, a metaphor for the feeling of isolation expressed in the lyrics.

It's obvious the boys had a blast making this video. Some of the best "white guy" moves ever made appear from 1:27 to 1:30, as Darryl and John shuttle off in opposite directions. 

In fact, I'll make the argument that "Out of Touch" is John Oates's shining moment; his backup singing and dance moves 
come to the forefront, including a cart wheel!

Monday, January 18, 2021

79/100 Video - "This Momentary" - Delphic (2009)

Delphic hails from the Manchester area, one of a laundry list of groups influenced by new wave in general, and New Order specifically.

The video for "This Momentary" by Delphic was shot using RED cameras giving the clip a cinematic look and feel. 

Rather than focus on the past, the clips shows actual people still living in and around Chernobyl. It's very moving. 

Director Dave Ma said "The aim for this video was to focus on the people still living in and around the Chernobyl area...It was about showing the humanity of the people and about capturing little moments in their lives in a composed and photographic way."

The music video was nominated for three UK Music Video Awards, including Best Cinematography and Best Editing for its shots in Chernobyl.

Sunday, January 17, 2021

80/100 Video - "Smooth Operator" - Sade (1984)

 

Speaking of James Bond theme songs, here's a track that could have easily been one.

I'd always wondered why Sade seemed so fond of western Maine. The region wasn't apparent in the suave video.

The answer: she wasn't. 

I had misheard the lyrics to Sade's "Smooth Operator", oh for the last thirty-some years. 

FYI, the lyric in question: "Coast to coast, LA to Chicago, western male".

So I'll also ignore the fact that Chicago is not located on the coast.


Nitpicking aside, the video for "Smooth Operator" oozed sophistication to my then 15-year old ears and eyes, presenting a cosmopolitan alternative to the never-ending gyrations of the Madonna and Cyndi Lauper at the time. 

Plus it had a great sax riff.