1972 - "Superstition" - Stevie Wonder

The clavinet grabs you right out of the gate and never lets go. Add in some funky bass. Then the horn section kicks in. 

Stevie Wonder doesn't want us to be superstitious. He also doesn't want us sitting down while he shares this message.

This pop-funk-soul groove summons you the dance floor, standing isn't an option. If it doesn't fill the floor at your watering hole, then you may want to leave. "Superstition" is often enjoyed in a loop binge. 

Fun fact: In 1973, adults, kids and puppets alike got their groove on when Stevie Wonder played "Superstition" live on Sesame Street. Watch for the kid at the top of the stairs.

The smooth "Superstition" by Stevie Wonder narrowly edges a couple other classics:

Other favourites from 1972:

"Do It Again" – Steely Dan
Addictive song about a myriad of addictions with a slick jazzy melody and latin rhythm.

"Horse With No Name" – America

Classic folk-rock jam about "plants and birds and rocks and things"

1971 - "One of These Things First" - Nick Drake

It was in 2005 when I first heard "One of These Things First" by Nick Drake, a British folk artist totally unbeknownst to me. Buried on the Garden State soundtrack from the 2004 film, this track is one of those wonderful gems you sometimes stumble upon.

The longing lyrics paint a sad "could of, should of, would of" anthem while the mellow vocals, running piano and acoustic guitar weave together to create an exquisite arrangement of uplifting folk jazz. I can envision the whimsical music appearing on a Charlie Brown special.

Too bad that Nick Drake's apparent reluctance to perform live or be interviewed contributed to his lack of commercial success. 

1971 Honourable Mentions: 

"Country Roads" – John Denver
That unforgettable chorus is burned inside ourselves for eternity.

"Get It On (Bang a Gong)" – T. Rex
It slinks and swaggers, a glam rock groove with an infectious hook. 

"Riders on the Storm" – The Doors
Pure atmosphere, the echoing guitar, that psychedelic melody. 

1970 - "All Right Now" - Free

Sure this song is overplayed. Forever a staple on set lists played by bar bands throughout North America, it's also immortalized on that TV commercial peddling Wrigley's gum. 

Still, I never tire of hearing it. You don't turn this song off, you turn it UP.

In one word? CLASSIC. There's something magical and reassuring about that guitar riff. 

And this sort of desert isle list just has to have at least one classic rock anthem. 

In fact, I'll posit that "All Right Now" may actually be THE original 'classic rock' tune before the genre of classic rock was even established. Discuss. 

1970 Honourable Mentions: 

"Cinnamon Girl" – Neil Young & Crazy Horse 
Wasn't this the beginning of grunge?

"Cecilia" – Simon & Garfunkel
Must be embraced - played everywhere, enjoyed by all

1969 - "Space Oddity" - David Bowie

1969 = "Space Oddity" - David Bowie.
These first few years will be the hardest ones since I don't have any actual memories of enjoying them when they were released. But thanks to the magic of the internets, I have access to a treasure trove of lists and videos. In an era highlighted by the Stones, Beatles and Led Zep, here we have fledgling folk artist David Bowie spacing out about outer space.

Fave lyric: "For here, am I sitting in a tin can". 

The dreamy atmosphere, irresistible melody and inspired vocals make this one a long-time keeper ever since I first stumbled upon the video during the early 90s on MuchMusic (remember when the station played music?). The video was shown as a segue to an episode of Mike & Mike's Excellent X-Canada Adventures about Cavendish, PEI, leading into a story about the juxtaposition of Anne of Green Gables and some of the newer commercial attractions of the day. Like a space shuttle replica...   

Back to Bowie..."Space Oddity" helped inspire Peter Schilling to write a sort of sequel in this 1983 new wave hit featuring the Major Tom character. At the time who could have ever imagined the legions of artists, musicians and trends later influenced by his work.

1969 Honourable Mentions: None

#1. One-hit Wonders: "Sleeping Satellite" - Tasmin Archer (1992)

More than just my top one-hit wonder, this is easily one of my favourite songs period.

It can be easy to overlook a somewhat low-key pop song from the early 90s, a key high-water mark in music history as multiple genres (grunge, dance, rave, hip hop, Garth Brooks) were all producing memorable tracks. 

But Tasmin Archer's debut single "Sleeping Satellite", from the ironic album title Great Expectations, is nothing short of a pop masterpiece, a special song full of wonder that only comes around every blue moon.

Everything is beautiful about this song: the synth intro, the dreamy melody, Tasmin's inspiring vocals, the subtle guitar, the soaring bridge once the organ kicks in and a great vocal outro. 

"Sleeping Satellite" has both soul and groove, an exquisite slice of hypnotic pop.

And how about the depth of those lyrics. 

Archer talks about relationships using the moon landings as a metaphor. She asks her lover "Did we fly to the moon too soon? and "Have we peaked too soon?" now that both of them are clueless about what to do with their relationship after a great start.

The tune hit #1 on the UK charts, while only peaking at #32 in the US, more evidence that my musical taste is more aligned with the Brits. In fact, the first time I ever heard the single was when I lived in Vancouver enjoying a "UK Chart Attack", a Top 40 program broadcast on a local radio station.